My work is grounded in process. I develop paintings in recurring material cycles, allowing form to emerge through sustained engagement rather than predefined composition.

I do not begin with fixed images. Structure develops through layering, revision, and the resistance of material. What appears spontaneous is often the result of deliberate repetition and close observation.

Each cycle focuses on a specific material language - acrylic, oil pastel, watercolor, or texture-based media. By working in concentrated phases, I examine how surface generates structure and how material directs meaning.

The series Chronogramm investigates time as compression. Individual works function autonomously while forming part of a continuous visual field. Recurring motifs - fragmented bodies, openings, accumulations -arise from the internal logic of the process, not from narrative intention.

I am interested in how images organize subconscious impulses into visible form. The painting is not illustration but construction, built through tension, erasure, and return.

Fabian Kindermann

Vienna, Austria b. 1994